Drehbuchberater, Lehrer, Coach / Roland Zag
Starting in 1977, he studied musicology, theatre studies and philosophy. Since 1982, working as a ballet pianist and film composer. Since 1986, producer of documentary films mainly on cultural subjects. Since 2001 concentration on film storytelling with a focus on emotional connections between the screen and the audience ('the human factor'). „Der Publikumsvertrag – Emotional wirksames Drehbuchschreiben“, published in 2005, 2nd edition in 2010. „Dimensionen filmischen Erlebens“, published in 2018, with a focus on the 'storytelling of systems' and the in-depth study of the 'human factor' in serial storytelling.