Ever­ything Ever­ything

Translating existentialist insights of postmodernism into songs by creating a completely indefinable musical style that is jazzed up into a pulsating, danceable, amorphous fusion – that’s something that Everything Everything have probably realised over the past 15 years more unflinchingly and disillusioned than any other band on the planet. Progressive indie rock goes shoulder to shoulder with alternative dance music, an almost mathematically achieved wave revival soars to bold heights on epic arrangements by four absurdly gifted multi-instrumentalists and flies to the peaks of contemporary art pop. With albums such as the globally acclaimed ‘Get To Heaven’ (2015) and the dystopian, thoroughly conceptualised ‘Mountainhead’ (2024), Everything Everything achieve what only very few projects manage these days: to create an entirely idiosyncratic style – unadapted, impenetrable, inimitable. Are you looking for a musical experience that divides your life into before and after? An auditory adventure without comparison? Then you have an appointment in Hamburg at the end of September.